Looking For A Straw In A Stack Of Needles

Simulate The Simulacrum You Damn Dirty Ape Of Your Carbon-Paper Ideals!

Knock, knock. Who Is There.

You, who you think of as yourself as is trapped like a marionette, like a, like a... clown marionette held by a mountebank, in a recursive spiral, a badly phrased subroutine who's GIGO is the capitulation of of of of of estrangement of self of of audience... Who are you pretending to be again again?

Endogenous information; what a jester's joke: a self-help book that wrote itself is a publisher's wet dream of an editor's worst nightmare.

Proto[con]science grasps at the macro-contexuality and fumbles for the micro-emergent quintessence of the nexus. Is second-order cybernetics yet scheduled to be too passé?

But how can we tell when whether or not one of use has have had an or the original vicarious experience?

One of us is so tired of making this shit up that we don't care anymore.

Evil Clown

Idiolect: n, You are a Special person!

- Litotes The Clown, Evil Clown Dictionary

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Always Be Proud Of Your Ancestry:

Five to Ten Thousand Years of Rape, Pillage, War, Monkeys, Slugs and Clowns























From: Foundational American Sociological Lies:

If I play fair and conform to society, I will win in life
-- which is material success

- Racket Theory: How Humans Behave


Or, to have it another way...


“One way to define culture is “the way a group of sheople prefer to behave.”

The trickster for organizational clowns is to find ways to ensure that the company culture, that is the way their sheople prefer to behave, is supportive of what is needed to successfully deliver the company strategy-” [- You poor; me rich.]

- Tosti (2007:21)

ERIC #: EJ762203
Title: Aligning the Culture and Strategy for Success
Authors: Tosti, Donald T.
Descriptors: Organizational Objectives; Employment Practices; Employer Employee Relationship; Organizational Culture; Organizational Development; Organizational Theories; Diversity (Institutional); Success
Source: Performance Improvement, v46 n1 p21-25 Jan 2007

Evil Clown

There is no justice, just us, you, me and darkness.
- Litotes The Clown

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Evil Clown Reads About The Erotic Attractiveness Of Narrative Humor

The Jive Talk Of Rhetorical Theory In The Semantic Spheres Of Dominant Social Paradigms Betray Their Vox Propria Not As Parum Pudicus But As Optimus Decadence As It's Covert Core.



Charm, wit, and style are critical, but dangerous, ingredients in the social repertoire of evil clown elites.

Their use draws special attention, but also exposes one to potential ridicule or rejection for valuing style over substance.

Brian A. Krostenko explores the complexities and ambiguities of charm, wit, and style in evil clown literature and what passes for rhetoric of the late Republic by tracking the origins, development, and use of the terms that described them, which he calls "the language of social performance."

As Krostenko demonstrates, a key feature of this language is its capacity to express both approval and disdain - an artifact of its origins at a time when the "style" and "charm" of explicate cultural practices are greeted with both enthusiasm and hostility.

Evil clowns play on that ambiguity, for example, by chastising beautiful teenage boys as sex crazed degenerates, then arguing that the successful speaker must have a certain sly salacious wit.

Evil clowns, in turn, exploit and invert the political subtexts of language for innovative poetic and erotic idioms [i.e.: to tell the truth and lie at the same time].

Evil Clown

Naked Came The Stranger And My Heart Was Pleasantly Chilled.

- Litotes The Clown

Is it better to have loved and paid, then to never have loved at all?, Evil Clown Mixed Media

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